23.07.2022

Vladimir Horowitz In Recital At Orchestra Hall, Chicago, May 12, 1968 (2015) Hi-Res

 

Artist:
Title: Vladimir Horowitz In Recital At Orchestra Hall, Chicago, May 12, 1968
Year: ℗© 1971 - 1974 - 2015 Sony Music Entertainment
Genre: Classical Piano
Quality: Hi-Res / 24bit-88.2kHz

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 CD1

1. Opening Applause To Horowitz Recital Of May 12, 1968
2. Piano Sonata No. 28, Op. 101: I. Etwas Lebhaft, Und Mit Der Innigsten Empfindung (Allegretto, Ma Non Troppo)
3. Piano Sonata No. 28, Op. 101: II. Lebhaft - Marschmäßig (Vivace Alla Marcia)
4. Piano Sonata No. 28, Op. 101: III. Langsam Und Sehnsuchtsvoll (Adagio, Ma Non Troppo, Con Affetto)
5. Piano Sonata No. 28, Op. 101: IV. Geschwind, Doch Nicht Zu Sehr Und Mit Entschlossenheit (Allegro)
6. Barcarolle, Op. 60
7. Nocturnes, Op. 55: No. 1 In F Minor
8. Polonaise In F-Sharp Minor, Op. 44

CD2

1. Post Intermission Applause To Horowitz Recital Of May 12, 1968
2. Keyboard Sonata In E Major, K. 380, L. 23
3. Keyboard Sonata In G Major, K. 260, L. 124
4. Keyboard Sonata In F Minor, K. 466, L. 118
5. Keyboard Sonata In G Major, K. 55, L. 335
6. Piano Sonata No. 2, Op. 36: I. Allegro Agitato
7. Piano Sonata No. 2, Op. 36: II. Non Allegro - Lento
8. Piano Sonata No. 2, Op. 36: III. L'istesso Tempo - Allegro Molto
9. Kinderszenen, Op. 15: No. 7, Träumerei
10. Waltzes, Op. 64: No. 2 In C-Sharp Minor
11. Mazurka, Op. 7: No. 3 In F Minor
12. Variations On A Theme From Bizet's Carmen

Turbobit

 HitFile

Info:
After the overwhelming success of Vladimir Horowitz live at Carnegie Hall, Sony Classical presents Vladimir Horowitz: The Unreleased Live Recordings. This edition takes you on tour with the legendary pianist from his home town of New York to the great halls of the USA, from New Haven to Chicago, Washington D.C., Philadelphia, Boston and beyond. 2015 marks a half-century since Vladimir Horowitz's return to the concert stage on May 9, 1965 after a twelve-year absence, reaffirming his status as an iconic pianist who mesmerized audiences and fellow musicians alike throughout his long and turbulent career. Every time Horowitz walked on stage, a palpable sense of anticipation and excitement filled the air. His singular virtuosity, bottomless palette of colors and nuances, and ability to gauge the acoustics of a hall for maximum impact created a communicative bond between himself and his public that made every performance unique from moment to moment, and he never played a piece the same way twice. Whenever possible, Columbia and RCA taped Horowitz in concert. The recordings provided the basis for commercial releases approved by the pianist during his lifetime. These recitals have now been painstakingly restored to their complete, unedited state from the best possible source material. Most of the original tapes were stored, untouched in Sony's Iron Mountain archives, and sound as vibrant and lifelike as they did to those lucky audience members fortunate enough to be present.

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